
THE TRIP TO BOUNTIFUL
Stage One
In late-1940s Houston an elderly woman yearns to return one last time to the rural farmstead, on Texas's once-fertile Gulf Coast, where she grew up.




PROLOGUE

HOMECOMING

The JOURNEY
concept renderings
THE TRIP TO BOUNTIFUL by Horton Foote
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Stage One
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director Shawn Churchman
music Frank Schiro
scenic & projection design David Esler
costume design Kathryn Page Hauptman
lighting design Ben C. Roose
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cast: Keith Boyer, Joyce Cavarozzi, T. Cat Ford, Darrell Greenlee, Wilbur Edwin Henry, Briley Meek, David Sewell, Daniel Robert Wilder
A hauntingly lovely new take on the classic 1953 play about an elderly woman desperate to return to the tiny hometown of her childhood one last time before she dies. This version features a beautifully surreal, evocative set by David Esler that looks like a wooden plank road extending into the distance, with props denoting stops along the way. Overhead are floating windows with moving and changing projections of clouds, rain and a full moon. ... Bountiful is probably Texas playwright Horton Foote's most popular tale — and for good reason. It's about family and home and roots and belonging to something greater than one's self.
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–Bob Curtright, Wichita Eagle
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A sleek new look at Horton Foote's Pulitzer Prize-winning classic ... The Trip to Bountiful has a moving, contemporary relevance and fluidity. One of the highlights of the evening that deserves much praise is the artistic set design by David Esler. A raked swath of planks stretching upstage provides the central space in which the actors perform. There are stunning lighting changes, and visual imagery projected on suspended overhead windowpanes allows the production to shift seamlessly from a small Houston apartment, to a bus depot, and eventually the family homestead at Bountiful. Country-bluegrass musicians provide live, incidental music to underscore the mood. ... Fine performances and a beautifully streamlined script work well together to articulate a nostalgic elegy to the 20th-Century rural American family that is slowly fading from our 21st Century techno-urbanized worldview.
– Wichita City Paper
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